3.4 Case Study Example | Topics and Well Written Essays - 1500 words

3.4 - Case Study Example This calls for cautious and judicious credit arrangements, to maintain a strategic distance from misfortunes when customers become bankrupt. The business worked gainfully from 1985 to 1988, yet a significant downturn that hit the economy in 1989 caused flimsiness. Thus, the shipping organizations lost incomes as producers were lessening their transportation prerequisites as they chop down their activities. Truth be told, a large portion of the shipping organizations got bankrupt and the not many that endure the circumstance brought down their costs to stay serious. Despite the fact that the business recouped from the downturn in 1990s, the transportation business in southern Ontario stayed testing as there were such a large number of organizations vieing for hardly any customers. By 2003, yet the business encountering generous development, the overall revenues stayed exceptionally low since the costs were still extremely low. To make due with low costs, the organizations are compelled to search for credits so they can work at high volumes to build their benefits. In addition, the shipping organizations amplify the time they spend making a course for increment deals so they can have the option to reimburse the credits and their working costs. The Ministry of Transportation of Ontario (MTO) had presented enactment that necessary all vehicles utilized by shipping organizations to follow severe security gauges. The service seized any vehicle that neglected to conform to these security measures. Business Equipment Financing (CEF) cautiously investigations its borrowers before affirming credits, with the point of expanding the recuperation rate. This is especially significant in light of the fact that the business is experiencing exceptionally extreme financial conditions and the possibility of an organization neglecting to reimburse the credit is high. What CEF searches for can be summed up as far as ‘4 C’s of Credit’ as investigated beneath. The money related History of the borrower is alluded to as

Arab Spring and the French Revolution free essay sample

Succeed (Reap the prizes of your readiness and execution) The article must incorporate the accompanying: Introduction passage (5 focuses) * First sentence is a statement used to â€Å"hook† the peruser * You have to â€Å"in-content cite† the wellspring of the statement * Then in any event three sentences of French Revolution, Arab Spring foundation/recorded setting that sets up the proposition * Utilize realities from the French Revolution and Arab Spring * (Meaning: don’t react to the brief in the initial four sentences) Thesis (15 focuses) A complex, astute, completely clear postulation that expresses your contention and â€Å"drives† your exposition * Thesis makes a case that is systematic noting â€Å"why† or â€Å"How† (Hint: utilize the word â€Å"because†) * The theory is the last sentence of the Introduction however is connected to each body passage theme (Claim) sentence Body Paragraphs Claim/Evidence (10 focuses) * Each subject (Claim) sentence must connect to the Thesis else I won’t read the section; accordingly no checks! * Each point sentence must be bolstered with proof from assets (using subtleties/factsâ€Characters, Setting, Plot, Quotes†¦Do Not Generalize!!! * A decent general guideline is that every theme sentence (body section) is bolstered with three confirmations. We will compose a custom exposition test on Middle Easterner Spring and the French Revolution or on the other hand any comparative subject explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page Body Warrant/Analysis (10 focuses) * Include innovative and keen examination * Make feeling of FR/Prompt by expressing something intriguing and special * Utilize â€Å"Big Idea† terms in your sections (Analogy, Cause and Effect, Compare and Contrast, Foreshadowing, Irony, â€Å"Nothing New Under the Sun†, Paradox, â€Å"Turning Points†) * Explain the â€Å"Big Ideas† astutely and totally Conclusion passage (5 focuses) Wrap the exposition up with an end that repeats the primary concerns of your paper * Do exclude another contention to the end * Say something fascinating: Leave me in stunningness, dazzled; move my heart and psyche! Mechanics/MLA Requirements (10 focuses) * Excellent sentence structure, syntax and accentuation * The paper satisfies all MLA prerequisites (see agenda) * The Works Cited page is appropriately organized (see agenda) * All of the necessary sources (3) are refered to appropriately in the paper * The paper was submitted to turnitin. com by the cutoff time * The paper must be 850 1000 words Exposition Rubric Unique/Original Strong Useful Basic Lacking Introduction (5/55)ExemplaryCommendable Capable Fair Poor 5 4. 5 4 3. 5 3 Proper Introduction†¦ * First sentence used to â€Å"hook† the peruser * You have to â€Å"in-content cite† the wellspring of the statement * Then in any event three sentences of FR, Arab Spring foundation/chronicled setting that sets up the postulation Exceptional/Original Strong Useful Basic Lacking Thesis (15/55)ExemplaryCommendable Capable Fair Poor 15 14 13 12 11 10 * A complex, adroit, perfectly clear proposition expresses your contention and â€Å"drives† your paper * Thesis makes a case that is diagnostic noting â€Å"why† or â€Å"How† (Hint: utilize the word â€Å"because†) * The theory is the last sentence of the Introduction however is connected to each body section point (Claim) sentence 2+ 21 20 19 17 16 13 12 11 Body: Claim/Evidence (10/55)ExemplaryCommendable Capable Fair Poor 10 pts 9 pts. 8 pts. 7 pts. 6 pts. * Each subject (Claim) sentence must connect to the Thesis else I won’t read the passage; subsequently no checks! * Each theme (Claim) sentence must be upheld with proof from assets (using subtleties/realities People, Setting, Quotes†¦Do Not Generalize!!! ) * Each detail/reality will be checked (). Checks should () as much as possible! Remarkable/Original Strong Useful Basic Lacking Body: Warrant/Analysis (10/55) ExemplaryCommendable Capable Fair Poor 10 pts 9 pts. 8 pts. 7 pts. 6 pts. * Include imaginative and keen investigation * Say something intriguing and one of a kind * Utilize â€Å"Big Idea† terms in your sentences (Analogy, Cause and Effect, Compare and Contrast, Foreshadowing, Irony, â€Å"Nothing New Under the Sun†, Paradox, â€Å"Turning Points†) * Explain the â€Å"Big Ideas† astutely and totally The thoughts of the paper stream legitimately and are extraordinarily expressed One of a kind/Original Strong Useful Basic Lacking Conclusion (5/55)ExemplaryCommendable Capable Fair Poor 5 4. 5 4 3. 5 3 * Wrap the article up with an end that rehashes the central matters of your paper * Do exclude another contention to the end * Say something intriguing: Leave me in wonderment, dazzled; move my heart and brain! Superb Strong Useful Basic Lacking ExemplaryCommendable Capable Fair Poor 0 pts 9 pts. 8 pts. 7 pts. 6 pts. Mechanics/MLA (10/55) * Excellent sentence structure, language and accentuation * The paper satisfies all MLA prerequisites (see agenda) * The Works Cited page is appropriately organized (see agenda)

What Book Rioters Are Reading This Week

What Book Rioters Are Reading This Week In this  feature at Book Riot, we give you a glimpse of what we are reading  this very moment. Here is what the Rioters are reading today (as in  literally  today). This is what’s on their bedside table (or the floor, work bag, desk, whatevskis). See a Rioter who is reading your favorite book? I’ve included the link that will take you to their author archives (meaning, that magical place that organizes what they’ve written for the site). Gird your loins â€" this list combined with all of those archived posts will make your TBR list EXPLODE. We’ve shown you ours, now show us yours; let us know what you’re reading (right this very moment) in the comment section below! Rachel Smalter Hall The Secret History of Wonder Woman by Jill Lepore: because a friend heard a pitch for it and thought it would be right in my wheelhouse. (Hardcover, library) Yellow Crocus by Laila Ibrahim: not something I would have usually picked up, but I heard it was good on audio and am giving it a spin! (Audio) Rachel Manwill Welcome to Braggsville by T. Geronimo Johnson (Feb. 17, 2015, William Morrow): The description alone was enough for me. But add in the great cover and the fact that there’s already been buzz? Count me in. (eGalley) The Distance by Helen Gitrow: Over the holidays, I asked other Rioters for recommendations to get for my dad for Christmas. I liked this suggestion so much, I bought it for myself too. (Audio) Chris Arnone Small Favor by Jim Butcher: The Dresden Files are my happy place, the book series I’ve grown to adore after the rocky first book. They’re always good for a fun read. (library ebook) Stone Mattress by Margaret Atwood: Hello, Read Harder Challenge! I’m doing a read-along of this book with my wife, best friend, and his wife. (hardcover) Liberty Hardy The Scarlet Gospels by Clive Barker: Hello, darkness, my old friend: After years of its rumored existence, it’s finally here. (Galley) Mosquitoland by David Arnold: This book has been getting great buzz, and it’s one of the Indies Introduce titles, which I wholly support. (eGalley) The Small Backs of Children by Lidia Yuknavitch: Big fan of her previous books. (Readthemrightnow.) She’s pretty kick-ass. (eGalley) Purple Hibiscus by Chimamanda Ngozi Adichie: Rebecca loved this one, which is all the recommendation I need. (Paperback) David Abrams Peter Pan by J. M. Barrie: Because it’s part of my Five-Year Reading Plan of the Essentials, and because it’s on my shelf of beloved Penguin Classics, and because I believe in fairies (claps hands).  (Paperback) Nicole Perrin Runaway Horses by Yukio Mishima: It took me over a decade to read beyond Spring Snow, the first volume of Mishima’s Sea of Fertility Tetralogy, but I don’t think finishing it will take nearly as long. Runaway Horses is a completely fascinating continuation of the story, and with two more books remaining I expect Mishima will demonstrate his mastery not just of the novel, but of this longer, epic form. Jeremy Anderberg Les Miserables by Victor Hugo: Because it was damn time. (Kindle; it’s far too big to lug around) The Innovators by Walter Isaacson: I’ve enjoyed every other book of his, so my wife smartly bought this for me for Christmas. Slow going, but excellent. (Hardcover) The Heart Is a Lonely Hunter by Carson McCullers: For BR’s Read Harder Challenge; she was under 25 when this was published. (Oyster) Amanda Nelson When Beauty Tamed the Beast by Eloisa James: One of my New Year’s reading resolutions was to read lots more romance, and I’ve read (and loved) James’s work before. So when I saw this on Oyster, I immediately started it! (ebook, Oyster) A Little Life by Hanya Yanigahara: People I trust won’t stop raving about it, so I’m gettin’ while the gettin’ is good. (ARC) Re Jane by Patricia Park: A modern-day re-telling of Jane Eyre set in Queens, with a Korean protagonist? I’m on it like a bonnet. (ARC) Marty Cahill The Price of Spring by Daniel Abraham: The last book of the Long Price Quartet, I’m rereading this for a series of essays for Tor.com. Heartbreak! Magic! Ideas of Mass Destruction! Forgot how devastating this series was. (Hardcover) Gemini Cell by Myke Cole: Myke’s fourth book, taking place in the early days of his Shadow Ops series, this lean, mean, writing machine just gets better and better with each novel. So far, Gemini Cell is no exception! (Mass market) Get In Trouble by Kelly Link: I mean, it’s Kelly Link. It should be a war crime to not read her work. (galley) Ancillary Sword by Ann Leckie: Been chipping away at this for a few months now, but hoping to devour it and finish it up. Sentient ships with feeeeeeeelings, yay! (paperback). Jeanette Solomon Unravel Me by Tahereh Mafi: I really love the voice in this trilogy. (Oyster) The Fair Fight by Anna Freeman: Sarah Waters/The Crimson Petal the White/Fight Club; so badass. (egalley) Nikki Steele Hieroglyph: Stories Visions for a Better Future edited by Ed Finn and Kathryn Cramer: I am getting all the mental juice going with this collection of fantastic “techno-optimisic” science fiction stories, from authors like Elizabeth Bear, Neal Stephenson, Vandana Singh, and Cory Doctorow. (hardcover) Flawless: Inside the Largest Diamond Heist in History by Scott Andrew Selby and Greg Campbell: I just finished this audiobook and it was a great readwell-researched, entertaining, and so interesting. (audiobook) Jessica Woodbury Apollo’s Angels: A History of Ballet by Jennifer Homans. I have a ballet book problem. I heard this was the only real definitive history of ballet and I’m hooked. Fascinating. (audiobook) The Royal We by Heather Cocks and Jessica Morgan. I’ve read the Fug Girls for YEARS but this is my first foray into their fiction. So far it’s fluffy and witty and a great diversion. (e-galley) Jessi Lewis A Guide To Being Born by Ramona Ausubel. I just can’t seem to turn down collections of magical realism these days and Ausubel was a new contender. And, I like to take on fresh, new collections like this one something that takes the genre in a different direction. There’s a story here about grandmothers on a boat awaiting death that’s so interesting to pause and muse over. (e-book) Between Wrecks by George Singleton. He came to the local university to speak and I missed him. I can believe I missed him. So I’m catching up and wishing more and more that I didn’t let this speaker get past me. The book begins bizarrely with a dream and junkyard, which is exactly how it should be. (paperback) EH Kern Warped Passages: Unraveling the Mysteries of the Universe’s Hidden Dimensions by Lisa Randall. This book is amazing. The latest research in theoretical physics explained in a way that someone like me with a liberal arts education can understand. Reading this book, I wouldn’t be surprised if it one day will be revealed that some theoretical physicists dabble in other things than science to reach their results. Because this is far out, man. (Paperback) Kim Ukura Hammer Head: The Making of a Carpenter by Nina MacLaughlin: A couple of other Rioters raved about this memoir, the story of a journalist turned carpenter that’s also a lovely meditation on the idea of work. (Galley) Dana Staves Bon Appetempt by Amelia Morris:  Food memoirs are my genre kryptonite, and I’ve been excited for Amelia Morris’s coming of age story (told through food) for awhile now. She opens the first chapter with toasted oat cereal, and I was like, I need to eat that. (eGalley) Imagine This:  Creating the Work You Love by Maxine Clair:  I heard Tayari Jones sing this book’s praises on Facebook and on the Reading Lives podcast, so I had to check it out, and I’m glad I have. This book approaches creativity (and the creative endeavor) with love, gentleness, and an eye towards the spiritual. In this, Maxine Clair is giving me much more than I expected, and I’m having to take it slowly and let her words sink in fully. (Paperback) Tasha Brandstatter The Secret of Pembrooke Park by Julie Klassen: For a blog tour. (eGalley) Northanger Abbey by Jane Austen: Every year I like to read, or reread, at least one novel by Austen. (audiobook) Greg Zimmerman The Storied Life of A.J. Fikry  by Gabrielle Zevin, ‘cause I work in a bookstore now. Holla! (hardcover, library) To Kill a Mockingbird, by Harper Lee. If you have to ask, you’ll never know. (ebook) Derek Attig A God in Ruins by Kate Atkinson: Because Life After Life is one of my favorites, and this is a “companion” booka definite no-brainer. (ARC) Emily Gatlin Queen Sugar by Natalie Baszile: I think at least 14 people recommended it to me, and I tend to listen. It’s as wonderful as everyone said, if not more. (Paperback) Christy Childers This Side of Home by Renee Watson: I’m reading this on the recommendation of my sister, who has excellent taste in books. (Galley) Eric Smith My Heart and Other Black Holes by Jasmine Warga: This was one of my most anticipated releases of 2015, and I picked it up the day it came out. As of this post, I’m halfway through, and adoring every minute of this book so far. There…there are going to be some tears, you guys. I can feel it. (Hardcover) The Girl at Midnight by Melissa Gray: Another book I was really excited for, I was thrilled to find a galley in the mail the other day. A YA fantasy about an ancient race of people living under the streets of New York City, full of magic and danger. Aw. Yes. (Galley) James Crossley The Sasquatch Hunter’s Almanac by Sharma Shields: My native Northwest is always real to me, but not always magical. Shields’s new slipstream novel makes it both. (paperback) Edd McCracken The First Bad Man by Miranda July: With commendations from Dave Eggers and Lena Dunham dripping off its pared back cover, this could easily sink beneath the weight of its hipsterdom. Luckily it’s shaping up to be that rarest of things: a comedy novel that is actually funny. I seldom laugh out loud while reading. Fifty pages in and a few guffaws have already snuck out. (ARC) Jessica Pryde Blood and Thunder: An Epic of the American West by Hampton Sides. I’ve been on a serious run of the Westward Expansion period of history, and this one is well spoken of. (audiobook) As for  Me… Fifty  Shades of Grey  by EL James: Because Ive tried three times and failed, and Im determined to finish before the movie comes out. This is a pop culture phenomenon and Id like to know what the big deal is and have read it so I can have a valid opinion about it. ____________________ Expand your literary horizons with New Books!, a weekly newsletter spotlighting 3-5 exciting new releases, hand-picked by our very own Liberty Hardy.  Sign up now!   Save

The Case Of Fatim Health Psychology Analysis - 1104 Words

The Case of Fatima Health Psychology Analysis University of the People The Case of Fatima – Health Psychology Analysis To analyze the case of Fatima it is best to break it down to stages. Fatima started as a healthy individual, she was able to conceive twice, carry 2 children to term, and deliver successfully. To support her family she works 50 hours a week which is more than a regular work week (40 hours). Because of her work schedule she does not have time for herself. She has a fairly healthy lifestyle since she does not smoke, but her choices of food for her family and herself are not healthy, and the reason is attributed to a small budget. Fatima started showing signs of illness; she was tired, and had chest pain from a time†¦show more content†¦Along the line of the continuum she wasn’t able to change those factors and those brought the onset of illness. In the biopsychosocial model (Ogden, 2017) it can farther show the health-psychology of this case as it brings a combination of social/environmental elements (work many hours, can’t afford healthy food), psychological elements (not going to the doctor to take care of herself, not able to relax), and biological elements (genetically pre disposed to having high pressure, missing some vitamins, and overworked body physically). This case as an example of the complexity of health-psychology where one thing leads to antoherr (Borrell-Carrià ³, F., Suchman, A. L., Epstein, R. M. ,2004). In this case the limited funds leads to purchase of unhealthy food, leading to fatigue and unhealthy state of body, which may lead to hypertension. Another element that can be observed in the case of Fatima is a combination of something that directly leads to unhealthy situation (eating unhealthy, and missing crucial vitamins to support healthy functioning body), and indirect elements (like working many hours, and feeling guilty about the food being served to her family). The combination of direct and indirect pathways are leading to outcomes that the health psychology field is addressing (Ogden, 2017). Although not part of the details in this case it is important to mention another element of health psychology: variability (Ogden, 2017). Many people work 50

Antrhopology A Social Science - 754 Words

Every individual is born being part of a specific society, and as part of which he learn the beliefs, customs and values shared by his society. This process called enculturation is the assimilation of an individual’s culture. The concept of culture has been described many times over the human existence; however, it is much more complex and complete of what it seems. To understand the concept of culture is necessary look at it as multidimensional, in which every element is fundamental to it, and because of it has great importance in the understanding of the human race. The term â€Å"culture† was used for the first time in the English vocabulary by Edward Tylor in his book Primitive Culture where he introduced his popular definition of the word, which would become the most-quoted description since then. Yet, the concept of culture was utilized long before it was finally defined for Tylor. Aristotle, in the ancient Rome, used to use the term polis to refer to a concept that in the actuality take the name of â€Å"culture† and that in a general manner represented the people belonging to the society. Thus, it can be inferred that men has always had the notion of the differences between societies and how each possessed its own characteristic elements. Anthropology, as the science that study essentially men, must study culture like a fundamental result of human societies. In fact, culture should be studied not only as a result but also as component, because it cannot exist one without theShow MoreRelated Reflexivity: Crossing That Line1036 Words   |  5 PagesReflexivity: Crossing That Line Traditionally, ethnographic works had always been about objective studies of the â€Å"other.† The discipline attempts to use non-biased methods to research of our subjects to qualify anthropology into the category of science. However, an increasing number of anthropologists begin to question the existence of objectivity in fieldwork. More recently, some anthropologists advocate the incorporation of the self, or the use of reflexivity, in the research to acknowledgeRead MoreHofstede Cultural Difference Critiques2337 Words   |  10 PagesMcSweeney’s criticism (2002a:92), â€Å"culture treated as a mere epiphenomenon, completely casual†, as conceptualized by Hofstede, it would look like something which moves along the history â€Å"enduring†, yet it is not subject to radical changes due to fluctuating social, economic and institutional trends (Tab.3). [Tab.3] Questionnaire and Dimensions Arguably, the questionnaire itself

Monsoon Wedding And East Is East Film Studies Essay Free Essays

The ‘ethics of regard ‘ in both movies was coming from different positions. Monsoon Wedding, the regard was an insider and East is East the regard was an foreigner. The professor in the talk spoke about how Monsoon Wedding was about a Punjabi household and the scene was in New Delhi, India, which is a familiar district for Mira Nair, the manager of the movie. We will write a custom essay sample on Monsoon Wedding And East Is East Film Studies Essay or any similar topic only for you Order Now This may besides be one of the grounds why Monsoon Wedding has an insider ‘s position to the Indian Punjabi civilization. An illustration of the insider ‘s position is when the nuptials planner/decorator Mr. Dubey fell in love with the artlessness of the amah and the simpleness of her character. This was a small hard for me as a spectator to understand because the construct explored much traditional Indian civilization which a western audience may non be familiar with. This movie shows the positions of secondary characters and the viewing audiences as the others. An illustration of this is, when Aditi ‘s cousin who has come from a Western state to go to the nuptials, he is shown as ‘out of topographic point ‘ in footings of civilization and ethnicity, which this movie captures attractively through music, linguistic communication, nutrient, idiosyncrasy, and apparels. The film showed many struggles through the emotions of the characters. An illustration of this is when Aditi was acquiring engaged, it was a happy juncture but her facial looks gave away her emotions of unhappiness. This directs the spectator ‘s understandings towards the characters and forces us to mime the emotions by acquiring the audience ‘s empathy. Many of the emotions of the characters are expressed through lighting and camera work. An first-class illustration of this is the scene where Aditi ‘s male parent and female parent go into her room where she is kiping and look at their girl, how grown up she has gotten. This scene was shot at dark, but the lighting and camera captures the male parent and the female parent ‘s facial look in such a elusive manner that the viewing audiences might non detect, but they are emotionally sympathizing with the male parent. East is East on the other manus was filmed through an foreigner ‘s position. I surely felt that when watching the film because foremost the scene of this film was in England in the seventiess. Second, the secret plan showed the Muslim Pakistani civilization in a satirical manner which I believe may do the position of the film as the foreigner. The professor mentioned in the talk that the construct of ‘the other ‘ is shown as alien and beautiful in East is East. The regard in this movie is of the other and hence all characters are shown as being invariably measured by the viewing audiences. This movie touches upon many sensitive issues such as ethnicity, faith and marginalisation of civilizations. As an immigrant myself in Canada, this film aroused my emotions for all the characters including the male parent. At first when watching the movie, it seemed that the male parent was shown as a negative character, but subsequently on in the film I sympathized with the male parent. That is, he is shown to be torn between two civilizations and keeping on really tightly to each. Issues of individuality are profoundly explored in this movie and are shown a small through each character. The character of the female parent is shown to be really loving and lovingness, this I believe is the lone character which is shown to be impersonal and non in struggle in footings of civilization. An illustration of this is throughout the film, the female parent ‘s character did non confront any personal cultural struggle. Her kids were called ‘half strains ‘ but she was ne’er faced with any direct cultural struggle since she had assimilated in the Pakistani civilization ‘s unhappiness. This in bend directs the spectator ‘s understandings with her and makes her a character that the audience hand clapping for. The camera work, music, costumes and sound effects emphasized the secret plan and helped the audience to the full understand the characters emotions. I peculiarly liked the costumes and music in the scene, when the girl is dancing with the broom. She is have oning the saree but in a manner that is western and listening to an Indian vocal and dance. The audience can non assist but smile because the facial looks of the girl are extracted towards the audience. The camera work and make-up are done attractively for the amusing scene when a household had come to run into the two boies for their girl ‘s matrimony. The girls near ups were nicely shot ; that full scene had good camera work capturing everyone ‘s uncomfortable emotions unusually. To reason, both movies Monsoon Wedding and East is East have showed different positions. The regard in both movies directs the viewing audiences ‘ attending to characters and their emotions. The camera work and proficient facets of the movie helped both Monsoon Wedding and East is East gaining control the narrative and emotions of each character. Mention Page Helfield, Gillian. â€Å" Week 1 – East is East / Monsoon Wedding. † 06-01-2010. Web. 1 Feb 2011. lt ; hypertext transfer protocol: //webct.yorku.ca/SCRIPT/2010_FA_FILM_W_1701__3_M_EN_A_INTR_01/scripts/serve_home gt ; . Mira, Nair, Dir. Monsoon Wedding. 2001, Film. O’Donnell, Damien, Dir. East Is East. 1999, Film. How to cite Monsoon Wedding And East Is East Film Studies Essay, Essay examples

Violence And Television Essays - Dispute Resolution, Crime, Ethics

Violence and Television Boink! Boom! Crack! The sounds of the fight scene rage on. Many have fallen in this particularly bloody battle. The good guys have taken their losses but struggle on to what is seemingly a victory. Their aggression is fierce and helps them. Fires consume the background; men and women lie on the ground in pain. Even if it weren't for the bombs, missiles, bullets, etc. that are flying around, hand-to-hand combat would have got the better of them. It was a classic battle scene when looking back at it, a true testament of blood, hell, and gore. This may sound like a heroic made-for-TV movie shown only on primetime in the hopes of recruiting a mature audience. But it is not. In fact, it is just another Saturday-morning special of GI Joe, ?The Real American Hero,? that I watched with my brother and cousins. We were religious followers of the show, tuning in every week to see how Sergeant Slaughter, Duke and the rest of the gang would handle the likes of King Cobra and his cronies. GI Joe's early morning time slot encouraged kids, like us, to tune in every weekend. While eating our CheeriosTM and Frosted FlakesTM we got a dose of some real fightin' action, in excess of fifty violent scenes for the morning: there is more than enough to fill the appetite. The truth is, violence on television is on every single day. It takes its toll on society, especially children. The damage done by violence on television is detrimental and confirmed by statistics, case studies, and personal experiences. Fistfights, shootouts, car crashes, rapes... Take your pick. Violence is everywhere on television, sometimes gory and gruesome, other times clean and remote. It is not just the Saturday morning cartoons; clips from action-adventure series, the nightly news and MTV are interwoven with violence and extremely mature content. Prime-time programs can average eight hostile acts per hour; children's shows four times as much (Bajpai, 1996, ps. 45-52). To television Programmers, violence is depicted as a normal, justified response to conflict and threat. They will encourage identification with the aggressor; domination and submission, to them, are often equated with pleasure and worth. Yet numerous researchers have put much time into discovering why children are so attached by the television and the action that takes place within it. They prove that it is definitely a major source of violent behavior in children. Their research proves time and time again that aggression and television viewing do go hand in hand. The truth about television violence and children has been shown. Many people and critics try to ignore it and hope that it will go away. Others do not even seem to care and try to attack these ideas. However, the facts are undeniable and all the results point to one conclusion: Television violence causes children to be violent and the effects can be life-long. The effects of the television are first visible even at the most basic level of life, children and adolescents. The modern-day extent of viewing by humans, especially Americans, is astronomical. Children begin to watch television at very early ages, often when they are newborns. At this time they are obviously not able to follow along or be influenced by it, but they are subjected to it nevertheless. This early start will lead most childhood viewers into a cult-like trance by the time they reach the age of three. In between breakfast and lunch, playtime and naptime, class and dinner, all children find a way to watch the tube. The typical American household has the television set on for more than seven hours each day and children ages two to eleven spend an average of twenty-eight hours per week viewing (Murray, 1996, p. 1). Some research has also estimated that by the time a child or teen of today's generation reaches the age of seventy, he will have spent nearly seven years of his l ife watching television. That is nearly ten percent of one's life lives watching television. That is insane; to say that you and I will spend years upon years, watching television. There is so much that people, even we, could do in a seven-year period.